{"id":493,"date":"2016-08-10T15:47:00","date_gmt":"2016-08-10T15:47:00","guid":{"rendered":"https:\/\/olgapayan.com\/?p=493"},"modified":"2025-04-04T10:37:01","modified_gmt":"2025-04-04T10:37:01","slug":"el-centre-de-conservacio-i-restauracio-de-la-filmoteca-espanyola","status":"publish","type":"post","link":"https:\/\/olgapayan.com\/es\/el-centre-de-conservacio-i-restauracio-de-la-filmoteca-espanyola\/","title":{"rendered":"El Centro de Conservaci\u00f3n y Restauraci\u00f3n de la Filmoteca Espa\u00f1ola"},"content":{"rendered":"<div class=\"et_d4_element et_pb_section et_pb_section_0  et_pb_css_mix_blend_mode et_section_specialty et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_row et_block_row et_d4_element\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_3_4 et_pb_column et_pb_column_0   et_pb_specialty_column  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row_inner et_pb_row_inner_0  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_pb_column et_pb_column_4_4 et_d4_element et_pb_column_inner et_pb_column_inner_0  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_0  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h2>EL CENTRE DE CONSERVACI\u00d3 I RESTAURACI\u00d3 DE LA FILMOTECA ESPANYOLA\u00a0<\/h2><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Els materials audiovisuals de naturalesa cinematogr\u00e0fica, magn\u00e8tica i \u00f2ptica requereixen unes condicions estrictes de conservaci\u00f3. El nou edifici del Centre de Conservaci\u00f3 i Restauraci\u00f3 de la Filmoteca Espanyola, inaugurat l\u2019any 2012, garanteix els par\u00e0metres adequats per a ralentir els processos de degradaci\u00f3 de tots aquests suports. Paral\u00b7lelament, aquest centre promou investigacions amb l\u2019objectiu d\u2019augmentar el coneixement sobre tots aquests materials i modificar, si cal, els par\u00e0metres per a la seva perdurabilitat.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"992\" height=\"424\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/el-centro-de-conservacion-y-restauracion-nuevo-edificio-de-la-filmoteca.jpg\" alt=\"\" title=\"el-centro-de-conservacion-y-restauracion-nuevo-edificio-de-la-filmoteca\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/el-centro-de-conservacion-y-restauracion-nuevo-edificio-de-la-filmoteca.jpg 992w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/el-centro-de-conservacion-y-restauracion-nuevo-edificio-de-la-filmoteca-980x419.jpg 980w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/el-centro-de-conservacion-y-restauracion-nuevo-edificio-de-la-filmoteca-480x205.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 992px, 100vw\" class=\"wp-image-497 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 992px; --smush-placeholder-aspect-ratio: 992\/424;\" \/><\/span>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_2  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p style=\"text-align: center;\">Figura 1.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Els pl\u00e0stics f\u00edlmics derivats de la cel\u00b7lulosa, aix\u00ed com altres suports audiovisuals, s\u00f3n materials que presenten una tend\u00e8ncia natural inevitable a l\u2019autodegradaci\u00f3. L\u2019objectiu principal dels arxius f\u00edlmics consisteix en la conservaci\u00f3 de les pel\u00b7l\u00edcules dins d\u2019uns par\u00e0metres que en garanteixin les qualitats i condicions funcionals.<\/p>\n<p>Per aconseguir-ho, cal disposar d\u2019unes instal\u00b7lacions adequades per a la seva conservaci\u00f3, classificant el material segons les condicions d\u2019emmagatzematge necess\u00e0ries, les caracter\u00edstiques t\u00e8cniques, el tipus de material i l\u2019estat de conservaci\u00f3, entre altres par\u00e0metres.<\/p>\n<p>Els estudis publicats per la FIAF classifiquen els materials f\u00edlmics en quatre grups segons les seves exig\u00e8ncies d\u2019emmagatzematge:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Suports de nitrat de cel\u00b7lulosa<\/li>\n<li>Emulsions en blanc i negre<\/li>\n<li>Emulsions en color<\/li>\n<li>Suports magn\u00e8tics<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>A la Ciutat de la Imatge de Pozuelo de Alarc\u00f3n es troba el nou Centre de Conservaci\u00f3 i Restauraci\u00f3 de la Filmoteca Espanyola, amb una superf\u00edcie constru\u00efda de m\u00e9s de 15.000 m\u00b2. Aquest centre d\u00f3na resposta, de manera pragm\u00e0tica, a la necessitat de disposar d\u2019un arxiu espec\u00edfic per a tots aquests materials. (Fig. 1)<\/p>\n<p>&nbsp;<\/p>\n<h4>2. El nou Centre de Conservaci\u00f3 i Restauraci\u00f3 de la Filmoteca Espanyola<\/h4>\n<h5>2.1. Caracter\u00edstiques generals<\/h5>\n<p>El nou Centre de Conservaci\u00f3 i Restauraci\u00f3 de la Filmoteca Espanyola est\u00e0 situat sobre una parcel\u00b7la de 8.118 m\u00b2, ubicada davant de l\u2019arxiu de seguretat de nitrats. Aquest arxiu, anomenat \u201cArxiu 1\u201d o \u201cVoltio\u201d, \u00e9s una construcci\u00f3 anterior, subterr\u00e0nia i a\u00efllada, que disposa de 20 cel\u00b7les de formig\u00f3 armat amb una capacitat de fins a 10.000 rotlles de pel\u00b7l\u00edcula. Aquestes instal\u00b7lacions estan climatitzades a una temperatura d\u2019entre 10-12 \u00baC i mantenen una humitat relativa del 45-50%. Tots els seus equips de climatitzaci\u00f3 estan connectats a un electrogenerador aut\u00f2nom que garanteix el manteniment de les condicions ambientals en cas de fallada del subministrament el\u00e8ctric. Tamb\u00e9 existeixen sistemes de detecci\u00f3 d\u2019incendis i canalitzacions de sortida per als gasos en cas de combusti\u00f3, ja que s\u00f3n molt perillosos. [1]<\/p>\n<p>En el nou edifici, en canvi, s\u2019ha plantejat la conservaci\u00f3 dels materials m\u00e9s actuals. Els acetats s\u00f3n de m\u00e9s dif\u00edcil combusti\u00f3, per\u00f2 requereixen unes condicions de conservaci\u00f3 molt m\u00e9s espec\u00edfiques, a causa dels efectes de la degradaci\u00f3 ac\u00e8tica, amb zones i arxius diferenciats. Fins fa poc, no s\u2019havien pogut definir unes estrat\u00e8gies clares de conservaci\u00f3 dels materials d\u2019acetat i de les emulsions en color. A partir de 1990, la Filmoteca impulsa una s\u00e8rie d\u2019investigacions a l\u2019Institut de Ci\u00e8ncia i Tecnologia de Pol\u00edmers, que permetran una millor comprensi\u00f3 i coneixement de les caracter\u00edstiques fisicoqu\u00edmiques d\u2019aquests materials per ajustar i avaluar especialment els par\u00e0metres d\u2019humitat relativa i temperatura i la seva import\u00e0ncia en la conservaci\u00f3. Paral\u00b7lelament, tamb\u00e9 s\u2019han desenvolupat estudis per con\u00e8ixer la funci\u00f3 de la ventilaci\u00f3 dels arxius en la prevenci\u00f3 de la biodegradaci\u00f3.<\/p>\n<p>L\u2019edifici (Fig. 2), de l\u2019arquitecte V\u00edctor L\u00f3pez Cotelo, consta de diversos blocs o sectors:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong>Un bloc de magatzems<\/strong>, volum soterrat, separat i protegit del terreny i de la resta de l\u2019edificaci\u00f3. T\u00e9 tres nivells amb sectors independents en cas d\u2019incendi, per\u00f2 comunicats entre si per dos passadissos. Aquest arxiu \u00e9s el nucli del projecte, i la seva configuraci\u00f3 aporta la m\u00e0xima estabilitat t\u00e8rmica i optimitza al m\u00e0xim el consum energ\u00e8tic.<\/li>\n<li><strong>La recepci\u00f3 i el bloc de serveis administratius i t\u00e8cnics<\/strong> inclouen tamb\u00e9 les zones d\u2019investigaci\u00f3 i restauraci\u00f3 f\u00edsica (Fig. 3). Est\u00e0 situat a la part sud de l\u2019edifici i es desenvolupa longitudinalment en tres plantes, amb les zones de treball encarades al nord i grans finestres i passadissos al sud. La disposici\u00f3 dels pilars \u00fanicament a la fa\u00e7ana permet una gran flexibilitat a l\u2019hora d\u2019organitzar els diferents espais i estances.<\/li>\n<li>Les instal\u00b7lacions estan separades en dos blocs. Un d\u2019ells \u00e9s una construcci\u00f3 que allotja els ascensors, l\u2019escala principal, els lavabos i el pati d\u2019instal\u00b7lacions, que tamb\u00e9 actua com a conducte de ventilaci\u00f3. Al costat de l\u2019escala principal hi ha la ximeneia d\u2019evacuaci\u00f3 de fums, que en cas de tall de subministrament el\u00e8ctric fa la funci\u00f3 de ventilaci\u00f3 natural dels magatzems subterranis. El cos d\u2019instal\u00b7lacions de climatitzaci\u00f3 (Fig. 4), a l\u2019altre bloc, \u00e9s una construcci\u00f3 met\u00e0l\u00b7lica que acull les instal\u00b7lacions de climatitzaci\u00f3 dels magatzems dels soterranis, les calderes, els sistemes de dessecaci\u00f3 qu\u00edmica de l\u2019aire (que controlen el seu contingut d\u2019humitat) i els acumuladors d\u2019energia solar. Est\u00e0 situat al l\u00edmit nord de la parcel\u00b7la, tancant un pati enjardinat que actua tamb\u00e9 com a protecci\u00f3 t\u00e8rmica de l\u2019arxiu soterrat.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Tot el conjunt est\u00e0 dissenyat espec\u00edficament amb l\u2019objectiu de preservar a llarg termini els diferents materials i fons f\u00edlmics. [2]<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_1\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"650\" height=\"390\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/filmoteca-12.jpg\" alt=\"\" title=\"filmoteca-12\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/filmoteca-12.jpg 650w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/filmoteca-12-480x288.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 650px, 100vw\" class=\"wp-image-500 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 650px; --smush-placeholder-aspect-ratio: 650\/390;\" \/><\/span>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p style=\"text-align: center;\">Figura 2.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h5>2.2. L\u2019arxiu f\u00edlmic<\/h5>\n<p>En la construcci\u00f3 d\u2019aquest arxiu s\u2019ha buscat la m\u00e0xima estabilitat t\u00e8rmica i l\u2019optimitzaci\u00f3 del consum energ\u00e8tic.<\/p>\n<p>Aquest dip\u00f2sit, de gaireb\u00e9 10.000 m\u00b2 constru\u00efts, consta de trenta-sis magatzems distribu\u00efts en set arxius repartits en tres plantes subterr\u00e0nies.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_2\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"207\" height=\"300\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-5-207x300-1.jpg\" alt=\"\" title=\"Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-5-207x300\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-5-207x300-1.jpg 207w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-5-207x300-1-8x12.jpg 8w\" data-sizes=\"(max-width: 207px) 100vw, 207px\" class=\"wp-image-499 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><\/span>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p style=\"text-align: center;\">Figura 3.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_7  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Aquest bloc est\u00e0 dissenyat com una caixa dins d\u2019una altra caixa, separant completament el bloc d\u2019arxius del terreny circumdant. D\u2019aquesta manera, la humitat pot circular per la cambra de separaci\u00f3 i \u00e9s recondu\u00efda cap a un fossat amb una bomba d\u2019extracci\u00f3 de l\u00edquids, que tamb\u00e9 disposa d\u2019un electrogenerador aut\u00f2nom en cas d\u2019emerg\u00e8ncia.<\/p>\n<p>Per ventilar aquestes cambres subterr\u00e0nies, s\u2019han disposat unes obertures perqu\u00e8, en cas de manca de subministrament el\u00e8ctric, l\u2019aire descendeixi des del primer soterrani, circuli, torni a pujar impulsat per l\u2019efecte de la difer\u00e8ncia de pressions i surti per unes obertures preparades a la fa\u00e7ana sud.<\/p>\n<p>El bloc de comunicacions verticals, que cont\u00e9 els ascensors i l\u2019escala principal, arriba fins al tercer soterrani, oferint els serveis necessaris a cada planta, separats per vest\u00edbuls i per portes tallafoc.<\/p>\n<p>A l\u2019entrada de cadascun dels arxius, s\u2019han situat cambres de temperament per permetre l\u2019aclimataci\u00f3 dels materials que surten o entren a l\u2019arxiu. Aquestes cambres poden ajustar la seva temperatura segons les necessitats del material. [2]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Els Arxius 2 i 3 es troben al soterrani m\u00e9s profund, el tercer. Estan reservats als materials de preservaci\u00f3, com negatius originals, duplicats positius i els materials m\u00e9s originals conservats d\u2019una pel\u00b7l\u00edcula. L\u2019Arxiu 2, amb condicions de refrigeraci\u00f3 intensa (5 \u00baC i 30% d\u2019HR), est\u00e0 destinat a la conservaci\u00f3 d\u2019emulsions en color. L\u2019Arxiu 3 est\u00e0 reservat als acetats amb emulsi\u00f3 en blanc i negre, molt m\u00e9s estables que les de color. S\u2019hi emmagatzemen a temperatures d\u2019aproximadament 10 \u00baC i un 35% d\u2019HR.<\/li>\n<li>El segon soterrani acull els Arxius 4, 5 i 6 i est\u00e0 destinat als duplicats negatius d\u2019\u00fas en reproducci\u00f3, les c\u00f2pies de projecci\u00f3 de menor \u00fas, les dip\u00f2sits obligatoris del Ministeri, i als materials m\u00e9s afectats per la degradaci\u00f3 ac\u00e8tica. L\u2019Arxiu 4 est\u00e0 reservat a materials en color estabilitzats a 10 \u00baC i 35% d\u2019HR. L\u2019Arxiu 6 cont\u00e9 materials amb emulsi\u00f3 en blanc i negre amb rang de temperatura i humitat de 15 \u00baC i 35% HR. A l\u2019Arxiu 5 es conserven congelats els materials amb degradaci\u00f3 ac\u00e8tica que ja han traspassat el punt autocatal\u00edtic. La temperatura d\u2019aquest magatzem \u00e9s de -5 \u00baC, i la humitat relativa es controla efica\u00e7ment renovant i refredant la mateixa massa d\u2019aire. \u00c9s important assenyalar que en la resta de magatzems, els sistemes de climatitzaci\u00f3 renoven completament l\u2019aire cada 24 hores, cosa que \u00e9s molt important per evitar la proliferaci\u00f3 de microorganismes.<\/li>\n<li>Al primer soterrani, els Arxius 7 i 8 estan destinats a les c\u00f2pies d\u2019\u00fas en projecci\u00f3 i als suports magn\u00e8tics i digitals. L\u2019Arxiu 7, climatitzat a 15 \u00baC i amb una HR entre el 40 i el 45%, cont\u00e9 c\u00f2pies f\u00edlmiques fotoqu\u00edmiques, tant en color com en blanc i negre, que es poden projectar amb relativa regularitat. Aquestes condicions s\u00f3n considerades relativament similars a les que es poden trobar en trasllats i cabines de projecci\u00f3. Als magatzems de l\u2019Arxiu 8 hi ha dipositades les pel\u00b7l\u00edcules i cintes magn\u00e8tiques d\u2019\u00e0udio, v\u00eddeo i dades, aix\u00ed com els suports digitals. Les condicions microclim\u00e0tiques d\u2019aquests magatzems s\u00f3n de 15 \u00baC i 40-45% d\u2019HR. [1]<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Els arxius es distribueixen de manera que, a major profunditat, al tercer soterrani, s\u2019hi guarden els materials de menor \u00fas i amb majors requeriments en les seves condicions de conservaci\u00f3. Al primer soterrani es col\u00b7loquen els materials d\u2019\u00fas m\u00e9s freq\u00fcent i menys compromesos.<\/p>\n<p>En el disseny d\u2019aquest arxiu s\u2019ha tingut en compte la possibilitat de patir una fallada del subministrament el\u00e8ctric. Per aix\u00f2, la conformaci\u00f3 d\u2019aquests magatzems assegura una bona circulaci\u00f3 de l\u2019aire i ventilaci\u00f3 dels arxius per controlar la humitat relativa i l\u2019activitat biol\u00f2gica, fins i tot sense consum energ\u00e8tic.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_3\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"605\" height=\"401\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-2-605x401-1.jpg\" alt=\"\" title=\"Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-2-605x401\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-2-605x401-1.jpg 605w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/03\/Centro-de-Conservacion-y-Restauracion-de-la-Filmoteca-Espanola-2-605x401-1-480x318.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 605px, 100vw\" class=\"wp-image-501 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 605px; --smush-placeholder-aspect-ratio: 605\/401;\" \/><\/span>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_8  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Davant el risc d'avaries, cadascun dels climatitzadors dels magatzems, tot i que poden funcionar de manera totalment aut\u00f2noma, estan connectats tamb\u00e9 mitjan\u00e7ant un bypass de doble direcci\u00f3 que permet la possibilitat que els equips m\u00e9s propers climatitzin, de manera provisional, l'espai contigu en cas d'incid\u00e8ncia.<\/p>\n<h4>3. Conclusions<\/h4>\n<p>Els arxius i dip\u00f2sits f\u00edlmics conserven, protegeixen i difonen el nostre patrimoni audiovisual. Aquests materials s'han de conservar en ambients amb uns rangs molt estrictes d'humitat relativa i temperatura, i en espais permanentment ventilats. En el projecte de construcci\u00f3 d'aquest edifici s'han configurat les variables que ofereixen les condicions id\u00f2nies necess\u00e0ries per a la correcta conservaci\u00f3 i manipulaci\u00f3 d'aquests materials, assolint tamb\u00e9 una gran efic\u00e0cia en el balan\u00e7 energ\u00e8tic de l'edifici amb l'\u00fas i estudi de les in\u00e8rcies t\u00e8rmiques.<\/p>\n<h4>Refer\u00e8ncies<\/h4>\n<p>[1] Del Amo, A. El Centro de Conservaci\u00f3n y Restauraci\u00f3n de la Filmoteca Espa\u00f1ola. Archivos de la Filmoteca 72, 201-214. ISSN 0214-6606. ISSN electr\u00f2nic 2340-2156.<br \/>[2] Centro de Conservaci\u00f3n y Restauraci\u00f3n de la Filmoteca Espa\u00f1ola. Ger\u00e8ncia d'Infraestructures i Equipaments. Subdirecci\u00f3 General d'Obres. Ministeri d\u2019Educaci\u00f3, Cultura i Esport.<\/p>\n<h4>Bibliografia<\/h4>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Catalina, F.; Del Amo, A. Los soportes de la cinematograf\u00eda\/Motion Picture Film Stock. Cuadernos de la Filmoteca. N\u00fam. 6. Madrid: Filmoteca Espa\u00f1ola. Ministeri d'Educaci\u00f3 i Cultura, 1999.<\/li>\n<li>Del Amo, A. Inspecci\u00f3n T\u00e9cnica de materiales en el archivo de una filmoteca. Cuadernos de la Filmoteca Espa\u00f1ola. N\u00fam. 3. Madrid: Filmoteca Espa\u00f1ola. Ministeri d'Educaci\u00f3 i Cultura, 1996.<\/li>\n<li>Del Amo, A. Clasificar para preservar. Madrid: Filmoteca Espa\u00f1ola. Ministeri d'Educaci\u00f3 i Cultura, 2006.<\/li>\n<\/ul>\n<\/li>\n<\/ul><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_4 et_pb_column et_pb_column_1    et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_9  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h3>M\u00e9s not\u00edcies<\/h3><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_blog_0  et_pb_css_mix_blend_mode et_pb_posts et_pb_bg_layout_light \">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_ajax_pagination_container\">\n\t\t\t\t\t\n\t\t\t<article id=\"post-807\" class=\"et_pb_post clearfix et_pb_blog_item_0_0 post-807 post type-post status-publish format-standard has-post-thumbnail hentry category-blog\">\n\n\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/analisi-organoleptica-i-classificacio-dels-plastics-filmics-derivats-de-la-cellulosa\/\" class=\"entry-featured-image-url\"><img decoding=\"async\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/Archivo-Di-Chiara-1920-1-1080x675.jpg\" alt=\"An\u00e0lisi Organol\u00e8ptica I Classificaci\u00f3 Dels Pl\u00e0stics F\u00edlmics Derivats De La Cel\u00b7lulosa\" width=\"1080\" height=\"675\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/Archivo-Di-Chiara-1920-1-980x551.jpg 980w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/Archivo-Di-Chiara-1920-1-480x270.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1080px, 100vw\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 1080px; --smush-placeholder-aspect-ratio: 1080\/675;\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"entry-title\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/analisi-organoleptica-i-classificacio-dels-plastics-filmics-derivats-de-la-cellulosa\/\">An\u00e0lisi Organol\u00e8ptica I Classificaci\u00f3 Dels Pl\u00e0stics F\u00edlmics Derivats De La Cel\u00b7lulosa<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t<p class=\"post-meta\"><span class=\"published\">Mar 19, 2020<\/span><\/p><div class=\"post-content\"><div class=\"post-content-inner et_multi_view_hidden\"><p>AN\u00c0LISI ORGANOL\u00c8PTICA I CLASSIFICACI\u00d3 DELS PL\u00c0STICS F\u00cdLMICS DERIVATS DE LA CEL\u00b7LULOSALa voluntat de conservar materials f\u00edlmics no \u00e9s quelcom nou. Des dels mateixos or\u00edgens de la cinematografia es va tenir consci\u00e8ncia de la seva import\u00e0ncia i al llarg de la hist\u00f2ria...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t<article id=\"post-199\" class=\"et_pb_post clearfix et_pb_blog_item_0_1 post-199 post type-post status-publish format-standard has-post-thumbnail hentry category-blog\">\n\n\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/els-primers-materials-plastics\/\" class=\"entry-featured-image-url\"><img decoding=\"async\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/2006_RMA_02492_0215_000.jpg\" alt=\"Els primers materials pl\u00e0stics (I)\" width=\"1080\" height=\"675\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/2006_RMA_02492_0215_000.jpg 1080w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/2006_RMA_02492_0215_000-480x489.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 1080px, 100vw\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 1080px; --smush-placeholder-aspect-ratio: 1080\/675;\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"entry-title\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/els-primers-materials-plastics\/\">Els primers materials pl\u00e0stics (I)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t<p class=\"post-meta\"><span class=\"published\">Ago 12, 2019<\/span><\/p><div class=\"post-content\"><div class=\"post-content-inner et_multi_view_hidden\"><p>ELS PRIMERS MATERIALS PL\u00c0STICS (I)\u00a0Aire d'artista (Piero Manzoni)Es calcula que el 60 % dels milers de milions de tones de pl\u00e0stic fabricades fins ara suren als oceans o romanen dipositats en abocadors, per\u00f2 en aquest moment, malgrat que els pl\u00e0stics s'han convertit...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t<article id=\"post-798\" class=\"et_pb_post clearfix et_pb_blog_item_0_2 post-798 post type-post status-publish format-standard has-post-thumbnail hentry category-blog\">\n\n\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/josep-gaspar-i-serra\/\" class=\"entry-featured-image-url\"><img decoding=\"async\" data-src=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/josep-gaspar-i-serra-762x675.jpg\" alt=\"Josep Gaspar I Serra\" width=\"1080\" height=\"675\" data-srcset=\"https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/josep-gaspar-i-serra-762x675.jpg 1080w, https:\/\/olgapayan.com\/wp-content\/uploads\/2025\/04\/josep-gaspar-i-serra-480x645.jpg 480w\" data-sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 1080px, 100vw\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 1080px; --smush-placeholder-aspect-ratio: 1080\/675;\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"entry-title\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/olgapayan.com\/es\/josep-gaspar-i-serra\/\">Josep Gaspar I Serra<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t<p class=\"post-meta\"><span class=\"published\">Jun 18, 2019<\/span><\/p><div class=\"post-content\"><div class=\"post-content-inner et_multi_view_hidden\"><p>JOSEP GASPAR I SERRAJosep Gaspar i Serra va n\u00e9ixer a Manresa l\u2019any 1892 i va ser un dels documentalistes m\u00e9s importants dels inicis del cinema a Espanya; malauradament, gran part de la seva obra no s\u2019ha conservat. 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